I have moved my blog over to www.scottroeder.com/blog. Bookmark it, read it, subscribe.
Author Archive for scaughty
11
May
09
I’ve moved!
Last Thursday was the MPSF Semifinals for Mens Volleyball. The No.1 ranked team UCI was playing No.5 USC. I really wanted to get a direct overhead shot of one of the UCI players serving. I had gone up in the catwalks prior to the start of the game to check out locations I could shoot from and found that none of the walkways were directly over the back line. I knew that I wasn’t allowed to shoot from up there too, but I didn’t know exactly where to set up the camera as a remote. About five minutes before the first game started I went back up and chose my position that I would be shooting from for the first game. Below, UCI’s sophomore outside hitter Jordan DuFault spikes the ball as three USC opponents attempt a block.
Canon 1D Mark IIn, 70-200mm @ 200mm, 320iso, f10, 1/250th
Below, from right to left, Carson Clark, Austin D’Amore, and Taylor Wilson stay close for a block attempt.
Canon 1D Mark IIn, 70-200mm @ 200mm, 320iso, f10, 1/250th
Below, Carson Clark gets high above the net for a kill.
Canon 1D Mark IIn, 70-200mm @ 200mm, 320iso, f10, 1/250th
The higher angle for volleyball is definitely my favorite. While shooting volleyball last year I had to discard tons of photos because players faces were covered by either hands or the top of the net. The backgrounds are also much cleaner while shooting from a higher angle and the shadows from using my strobes are also nice to have. Below, Taylor Wilson rises high above the net for a kill while a helpless USC players awaits below.
Canon 1D Mark IIn, 70-200mm @ 200mm, 320iso, f10, 1/250th
Due to a very rough start by UCI, they went on to lose the first game. I quickly repositioned my strobes and changed positions in the catwalks to where I able to get my overhead shot and be unnoticed at the same time. Below, different angle of Ryan Ammerman receiving the ball from USC.
Canon 1D Mark IIn, 70-200mm @ 125mm, 160iso, f11, 1/250th
The overhead shot didn’t turn out exactly how I planned. I knew that I wasn’t supposed to be up in the catwalks during the game so I chose a “safer” position where I most likely wouldn’t be caught. There was however a better place to shoot from but it was a little too risky for a high profile game. Below, Sophomore outside hitter Cory Yoder serves the ball to USC in the second game.
Canon 1D Mark IIn, 70-200mm @ 115mm, 160iso, f10, 1/250th
Once again UCI was beat by USC and lost the second game. I quickly readjusted my lights and as I was coming down from the catwalks I was greeting by one of the Bren Events Center Staff…shit. I guess I wasn’t sneaky enough this time and was caught. The Bren staff guy wasn’t mean about it but just told me that I wasn’t allowed to be up there during the game. I thanked him for letting me know and continued to shoot the third game from the upper balcony. Below, UCI’s Kevin Wynne goes for a kill between two USC opponents.
Canon 1D Mark IIn, 70-200mm @ 195mm, 320iso, f10, 1/250th
Below, UCI’s Austin D’Amore jumps above two USC defenders for a kill.
Canon 1D Mark IIn, 70-200mm @ 200mm, 320iso, f10, 1/250th
So to end this night, UCI lost to USC in 3 games. They made tons of uncharacteristic mistakes and their play that night was not a good representation of what they have achieved this whole season. Which is why they were still given the No.1 seed at the NCAA Championships in Provo, UT. Therefore, I will be driving out to Utah with the sports editor and associate sports editor to cover the games. Check back next week for the Championship coverage.
A couple weeks ago I went up to Mammoth with the UCI Snowboard team to shoot their last slope-style competition of the year. It was supposed to be a full weekend trip but turned into sleepless 24 hour adventure. Actually, I slept a lot in the car, so it was actually more sleepless for the two guys I rode up with, Daniel and Justin.
On my previous trip to Mammoth, I brought my two Sunpak 555’s for lighting. I found that it was hard to aim such small flashes, and this time decided to bring my White Lightning X1600’s. I also borrowed a vagabond portable power-pack from a friend to power the strobes. Besides the addition of my bigger strobes, I had all my usual equipment (camera, lenses, rented fisheye, light stands, pocketwizards, etc.)
Canon 1D Mark IIn, 50mm, 50iso, f1.8, 1/8000th
Anyways, we left Irvine at about 10pm on Friday night and like I said, I slept most of the way. We got there around 4am at which we brought our stuff into the rented condo and got ready to get a few hours of sleep before having to wake up at 7:30am.
After getting to the mountain the next morning and getting my free photographers ticket (the UCI snowboard team hooked me up), I gathered all my gear up and headed for the lift. Below, UCI snowboard team president Daniel Seo does some stretching in the parking lot before heading to the lift.
Canon 1D Mark IIn, 15mm, 250iso, f2.8, 1/2500th
I had so much equipment that I even had Daniel and Justin helping me carry stuff throughout the day, including my board as we walked over to the lift in the morning.
Canon 1D Mark IIn, 15mm, 250iso, f2.8, 1/3200th
Below, Daniel gets strapped in and ready for some practice runs before the competition.
Canon 1D Mark IIn, 15mm, 250iso, f2.8, 1/8000th
Below, Justin checks all his equipment and secures all his gear before getting off the lift.
Canon 1D Mark IIn, 15mm, 50iso, f2.8, 1/1600th
There were actually two parts to the terrain park. There was an upper part and a lower part. The upper part consisted of a few rails and two huge jumps, while the lower part of the park was where the competition was going to be held and had many more jumps and rails. I decided to set up at the upper part because the jumps were much bigger.
Once I got my lights set up, all I had to do was experiment with different angles and find what I liked. Below, two skiers do backflips synchronously.
Canon 1D Mark IIn, 15mm, 50iso, f14, 1/250th
I liked the sun in the background, but it always seemed to be getting in the way of the rider. It was hard to get it framed correctly so that there was separation between the sun and the rider.
Canon 1D Mark IIn, 15mm, 50iso, f14, 1/250th
After a while of shooting the first table top, I moved down to the next jump, which was a hip. I got my light set up again and was ready to shoot, although it was a little scarier this time because the riders were pretty much going right over me and I was laying down close to the lip of the jump. Below, Daniel flies by me after hitting the hip jump.
Canon 1D Mark IIn, 15mm, 50iso, f14, 1/250th
I pretty much shot anybody who was going big. Below, a skier does a 270 off the hip.
Canon 1D Mark IIn, 15mm, 50iso, f14, 1/250th
Having more powerful lights with bigger reflectors was great. I’ll probably never want to go back to using anything else. Using my friends vagabond power-pack was awesome too. I’m definitely planning on buying one soon. Below is the basic setup I used: a White Lightning X1600, hooked up to the vagabond power-pack, and triggered with a pocketwizard.
Canon 1D Mark IIn, 15mm, 50iso, f14, 1/125th
After more and more shooting I was able to frame the riders above the tress and below the sun. Below, a random rider launches high above the top of the jump.
Canon 1D Mark IIn, 15mm, 50iso, f14, 1/250th
I also tried to switch up my angles as much as possible. After shooting the same thing over and over it was very important to move around and see what other angles could offer me. Below, one of the few female riders does a huge tail grab off the hip.
Canon 1D Mark IIn, 15mm, 50iso, f14, 1/250th
When I think of sports like skateboarding, snowboarding, skiing, and other alternative sports, fisheye/wide-angle is the first thing that comes to my mind. These are the sports where this view is used the most, especially in videos and magazines. Its hard to put the fisheye away and shoot something different. Anyways, after a certain point I felt like all my photos were starting to look the same so I put on my 70-200mm and moved down to the runway of the hip. This view shows height in a very different way, its crisp and its simple. Below, a random snowboarder tweaks out a grab as he flies high above the top of the jump.
Canon 1D Mark IIn, 70-200mm @ 185mm, 50iso, f2.8, 1/2500th
Since I wans’t near my strobe I had to just aim it where I thought they riders would be and then hope for the best. I didn’t shoot all my shots with the strobes for this reason, but I still managed to get a few where the light hit the rider perfectly. Below, a skiing spins left to right as he does a 270 off the hip jump.
Canon 1D Mark IIn, 70-200mm @ 170mm, 50iso, f11, 1/250th
Below are three more shots from the same angle.
Canon 1D Mark IIn, 70-200mm @ 140mm, 50iso, f16, 1/250th
Canon 1D Mark IIn, 70-200mm @ 95mm, 50iso, f14, 1/250th
Canon 1D Mark IIn, 70-200mm @ 98mm, 50iso, f14, 1/250th
Before we left, I had the idea of lighting a semi see-through wallride using a blue gel. It was a good idea, the only thing was that it was 2pm with the sun almost directly over us. It would have definitely turned out better at night or while the sun was setting, but oh well. I’ll get it next year. Below, you can see my lighting setup as a snowboarder stalls on the top of the wall.
Canon 1D Mark IIn, 15mm, 50iso, f16, 1/250th
This is what it looked like from another angle. You can see the light coming through but it faint. Below, UCI Snowboard team member Justin stall on the middle of the wall.
Canon 1D Mark IIn, 70-200mm @ 70mm, 50iso, f18, 1/250th
After the wallride session we were all done for the day and ready to get some food before heading back to Irvine. Below, Justin throws a snowball at his teammate Daniel after taking off they’re snowboards and finishing up for the day.
Canon 1D Mark IIn, 15mm, 100iso, f2.8, 1/8000th
Daniel and Justin are fun guys. They are the heart of the snowboard team at UCI and they are what keep it alive. Below, Daniel and Justin talk about the realization that they just made a 24 hour trip to Mammoth.
Canon 1D Mark IIn, 50mm, 50iso, f2.8, 1/4000th
Like I said, this was the last competition for the UCI Snowboard team. It was my second time going up with them and hopefully not the last. Below, Justin (left) and Daniel (right) walk away from the mountain for the last time this season while carrying their boards and my lighting equipment.
Canon 1D Mark IIn, 50mm, 50iso, f2.8, 1/1600th
Once off the mountain we stopped at a grocery store before going to get a meal. Below, Justin looks up and surveys the candy, trying to decide what he wants to snack on during the long ride back to Irvine.
Canon 1D Mark IIn, 50mm, 250iso, f1.8, 1/320th
It seems like everybody who goes to Mammoth knows about this mexican restaurant call “Jalepaneos”. Its good and its filling. Below, Daniel and Justin talk about thier day on the mountain before ordering.
Canon 1D Mark IIn, 15mm, 250iso, f2.8, 1/50th
I ordered a steak quesadilla. There was so much food that I had to be a box to go. Only thing was that I left the box on the table. Damn. Below, my quesadilla, lost and forgotten.
Canon 1D Mark IIn, 15mm, 250iso, f2.8, 1/160th
I think we all left full and satisfied. Below, our table after the madness.
Canon 1D Mark IIn, 15mm, 250iso, f2.8, 1/80th
During the car ride home Swedish Fish were my candy of choice. Below, Swedish Fish remained close by as they rested on top of my camera bag.
Canon 1D Mark IIn, 15mm, 50iso, f2.8, 1/160th
Below, Daniel fills up the car at a gas station on the way back to Irvine.
Canon 1D Mark IIn, 15mm, 50iso, f2.8, 1/1250th
Below, Justin cleans the bugs off the windshield while stopped for gas.
Canon 1D Mark IIn, 15mm, 50iso, f2.8, 1/1600th
One thing that I’ve been thinking about lately is getting different angles and framing. Its something that I want to get better at and I’m going to practice every chance I get. Below, Justin seems to be contemplating something as he makes his way back to the drivers seat after cleaning the windshield.
Canon 1D Mark IIn, 50mm, 160iso, f2.8, 1/400th
Nearing Irvine, it was about 10pm. Twenty-four hours later and we were back where we started. Yeah…we just did that. Below, thats not rain on the windshield….
Canon 1D Mark IIn, 50mm, 1600iso, f1.8, 1/50th
This was by far my longest post. Usually I stick to just shooting the action and the sport itself. It is one of my personal goals to go beyond and capture these peoples lives away from the action. I want to show to people the human side of the athletes I shoot. I hope you like it.
Last week I was called up by the sports editor to do a track feature photo. I asked him if it was more than one person and what event(s) they did. All he told me was that they “throw shit”. I was currently swamped with school work and didn’t have time to plan anything out so I went into the whole thing a little worried.
I was told to meet out on the UCI track at 3pm. I knew that if I was going to use any lighting it would have to be powerful since I was shooing in the middle of the day. At around 11am I headed over to the Bren Events Center to take down my strobes so I could use them for the shoot. I still had a vagabond portable power-pack in my truck that I had borrowed from a friend so I didn’t have to worry about finding an outlet.
At around 1pm, after going to class and getting some lunch, I once again realized how much equipment I had to carry and set up. I quickly emailed the other newspaper photographers to see if anybody wanted to help out and then headed for the track. Not too long after I got a call from one of the newer photographers, Nick Vu, letting me know that he could come and help. I then began my first equipment trip from my car to the track. By the time I had arrived at the track from my last trip, Nick had arrived.
We took out the light stands, set up the lights, got everything hooked up to some power, and positioned everything in the approximate positions. Then, because all the athletes were not ready yet, I had Nick stand in for some test shots.
Canon 1D Mark IIn, 70-200mm @ 100mm, 100iso, f11, 1/250th
I wasn’t pleased with how my test shots were coming out and couldn’t get a good idea of how it was going to look with all four athletes. Once they were almost all ready, I had them all stand in (including Mark Ratto, the associate sports editor) to take some test shots.
Canon 1D Mark IIn, 70-200mm @ 70mm, 100iso, f11, 1/250th
I still wasn’t feeling it so I switch to my wide-angle zoom. Now that was much better. My side flash didn’t fire either, which I didn’t mind seeing as that it kept blowing out the sides of their faces.
Canon 1D Mark IIn, 17-40mm @ 21mm, 100iso, f11, 1/250th
After they were all ready we got them their props and I arranged them how I wanted them to stand. I made a last minute adjustment and moved a light directly behind them because it didn’t seem to be doing much from its current position. This is the shot that ended up running in the paper. From left to right, Lauren Collins (heptathlon), Alisia Misiata (Shot put), Matt Lahti (Hammer throw), and Jenny Lee (Javelin).
Canon 1D Mark IIn, 17-40mm @ 17mm, 100iso, f11, 1/250th
Last tuesday I got a text message from the Umar the sports editor, “Can u meet me tomorrow at 3 at the bren? For carson clark feature photo?”. I was hoping he would call or text. On Monday I saw the sheet of paper with the page requests that the section editors fill out. Under the Sports section I saw “volleyball feature”, which usually meant there was going to be a feature story with a photo.
After I got the text I started brainstorming ideas for how to shoot him. I was definitely thinking of doing a portrait since it had been a while since the last one I did. Then later that day I got an email from Umar:
hey dude. i want a volleyball version of this today.
http://i250.photobucket.com/albums/gg262/doricalcinha/DwightHowardSupermanDunk.jpg
lets do it. im bringing the cape. 3:00 pm at the bren
Umar wanted a photo like this. We were going to put a cape on him and everything. And we did.
I then texted my friend and New University Staff Photographer Melissa Lee, to see if she could hook me up with a lighting kit. Like always, she came though big and got me a 600watt kit with 2 prophoto heads and a softbox. After that I got together some backup equipment including a backdrop kit and some grey paper, just in case the action shot idea fell through.
Wednesday. I didn’t have class but I got up early to pack my car and make sure I didn’t leave anything at home. The shoot was scheduled for 3pm. I picked up the lighting kit from Melissa at 1pm and headed over to the Bren.
When I got to the Bren I realized how much equipment I had and decided to send an email out to the New University photographers to see if anybody wanted to help me out. I then started making several trips to my car in order to get all my equipment. At about 1:30pm I had unloaded all my equipment and had received a text from Brandon Wong letting me know that he could come around 2:30pm.
The main difference between the photo that I was making and the one Umar sent me was that there were no spectators. No crowd to fill the background. To solve this problem I decided to knock out all the ambient light in the arena.
I set up a large soft box in front of where Carson would be and another light from behind to outline this back. I did a few test shots on myself using the timer mode, but didn’t get the lighting exactly how I wanted it until Brandon arrived did his best spiking impression.
Canon 1D Mark IIn, 17-40mm @ 17mm, 125iso, f5.6, 1/250th
Everything was all set and ready to go by the time Carson arrived. When he got there I showed him the test shots of what I was trying to get and then we got to work. The first few shots turned out just as expected from the test shots.
Canon 1D Mark IIn, 17-40mm @ 17mm, 125iso, f5.6, 1/250th
I took some more shots and tried a few different angles. When I was looking at the photos I started to notice a difference from the shots at the beginning.
Canon 1D Mark IIn, 17-40mm @ 17mm, 125iso, f4.5, 1/250th
It was something that I couldn’t quite put my finger on and I didn’t like it. After the shoot was over I was looking at the photos on my computer and later realized that my light that was supposed to be lighting his back was not not firing. You can see the light on the right side of the photo, not firing 
Canon 1D Mark IIn, 17-40mm @ 17mm, 125iso, f5.6, 1/250th
Everybody there was really liking the photos, but there still was something bugging me. There was just too much empty space. Even though it looks cool with him flying through the air, he is still pretty small in the frame. I decided to wrap up the shoot with a basic portrait so that I would have some backup photos just in case the others didn’t work out. I brought Carson over to the backdrop that we had already set up and moved the softbox over too.
Brandon stood in for the first few test shots.
Canon 1D Mark IIn, 70-200mm @ 93mm, 125iso, f10, 1/250th
Carson then took his place and got to work. First with a pose that Umar requested.
Canon 1D Mark IIn, 70-200mm @ 93mm, 125iso, f10, 1/250th
Then I wanted a shot of him confidently composed, looking straight into the camera. It showed him calm and in control, which I really liked.
Canon 1D Mark IIn, 70-200mm @ 70mm, 125iso, f9, 1/250th
As we shot in front of the backdrop his teammates started coming into the gym for practice. After seeing their teammate standing there in a superman cape and being photographed, they laughed and made little comments. I was able to snap a quick one of him during one of these exchanges.
Canon 1D Mark IIn, 70-200mm @ 70mm, 125iso, f10, 1/250th
This was a mock up I sent to the sports editor. A composite with a portrait and the action shot. It was more complete and would be better for the story.
UCI’s baseball program is one of our biggest sports programs. When I think of spring quarter I think of baseball. I can always depend on there being a baseball article and a photo assignment to accompany it.
I always have trouble deciding where to shoot from. Third base photo well. First base photo well. Behind the batter. The clubhouse suite. Before the game I was looking through some baseball photos online and found an angle that I had never shot from. The angle is behind home plate looking down towards third plate. This angle would be used to get action happening at home plate. I didn’t want to depend solely on getting “the shot” from that angle, so I set it up as a remote so that I could also shoot from a place that would guarantee more “keeper/safe shots”. I used a magic arm and super clamp to secure my camera to a railing in the front row. The camera was set to aperture priority at f/2.8 to account for the light changing, because the game started at 6pm while the sun was out but ended at 9:30pm when it was dark. I prefocused on the plate, taped down the zoom ring, taped down the focus ring, and headed over to the third base photo well.
Canon 1D Mark IIn, 70-200mm @ 170mm, 1600iso, f2.8, 1/5000th
Here is a shot prior to the start of the game when the umpires get together and exchange some words before beginning to work.
Canon 1D Mark IIn, 70-200mm @ 170mm, 1600iso, f2.8, 1/4000th
There was only one big play at home plate made by UCI the whole game. And I got it. The only thing is that a bunch of people got in the way and my focus was in the wrong spot. I should have focused a couple feet in front of the plate so that the players would be in focus as he was sliding in. I guess I can also try from a different angle and keep my focus on the plate.
Canon 1D Mark IIn, 70-200mm @ 170mm, 1600iso, f2.8, 1/4000th
Trial by error I guess. I’m definitely going to try again at the next game.
I’m glad I at least have a 300mm to shoot with at UCI. With anything less, cropping in shots like this be unbearable. Cory Olson catches a ball that goes far into center field.
Nikon D300, 300mm, 400iso, f2.8, 1/2500th
In the past I have usually just stuck to the main action on the field but am trying to cover more aspects of the game. Associate Head Coach Pat Shine talks with UCI Freshman Tommy Reyes in the dugout.
Nikon D300, 300mm, 400iso, f2.8, 1/800th
Heres a typical hitting shot. The first thing I do is get a “safe” shot just in case I don’t get anything good. Eric Deragisch takes a swing at the ball.
Nikon D300, 300mm, 400iso, f2.8, 1/1600th
Double plays are where its at. One of my favorite places to catch the action is at second base with a player sliding in and the second baseman catching the ball and trying to get it over to first. By far my favorite shot of the game was Cory Olson sliding into second base and getting a leg past his opponent as LMU fails at a double play.
Nikon D300, 300mm, 640iso, f2.8, 1/1600th
Towards the end of the game I moved out of the third base well and went up to the top of the main seating area to get a shot of Ben Orloff signaling to the dugout as he waits for the pitch. I love clean backgrounds!
Nikon D300, 300mm, 2000iso, f2.8, 1/640th
Canon 1D Mark IIn, 17-40mm @ 40mm, 100iso, f10, 1/250th
Last week I went to a free lighting workshop at Tikko Studios in Fullerton. The company was founded and is run by two UCI alumni, which is how I heard about it. It was a fun event. There were snacks and beverages, slide show presentations, models to shoot, and tons of other local photographer to meet. The lighting tutorials were not as advanced as I had hoped but it was still very informative and they did a really good job of teaching how to interact with your subject. I didn’t take too many photos, as I was there mostly there to listen and absorb knowledge, but here are a few shots.
Canon 1D Mark IIn, 17-40mm @ 40mm, 100iso, f10, 1/250th
Canon 1D Mark IIn, 70-200mm @ 85mm, 100iso, f10, 1/125th
Canon 1D Mark IIn, 17-40mm @ 28mm, 100iso, f16, 1/200th
My friend and fellow New University staff photographer, Brandon Wong, helped me out on a shoot I did for the newspaper the other day. He helped me set up and also managed to run around and get a ton of great shots.
He wrote on his blog about the shoot: http://www.brandonwongblog.com/2009/04/scott-roeder.html
Makes my life easier….although I’ll probably post in more detail about the shoot next week after the photos are published.
16
Apr
09
h2O & nikon
I arrived to shoot Womens Waterpolo at 6:02pm, two minutes past the start of the game. I also was going to leave early because I had to go over and shoot Mens Volleyball at 7pm, which required me to get there early in order to turn on my strobes. I quickly pulled out a borrowed D300 and the newspapers 300mm f2.8 lens. With the sun beginning to go down, I positioned myself near the back of one of the goals with the sun behind me. This is where I stayed for most of the game. I was glad to be shooting waterpolo again and even more happy to be shooting it while the sun was still out.
Nikon D300, 300mm, 400iso, f2.8, 1/6400th
Nikon D300, 300mm, 320iso, f2.8, 1/3200th
Nikon D300, 300mm, 320iso, f2.8, 1/1000th
Nikon D300, 300mm, 320iso, f2.8, 1/1250th
Nikon D300, 300mm, 320iso, f2.8, 1/1250th
The sun was just about gone and a large shadow was beginning to cover the pool. I changed positions to the opposite side of the pool and tried to get a silhouetted shot before I had to leave. The glare off the water was harsh but I tried to make it work. I had time for a few click and then had to head out.
Nikon D300, 300mm, 400iso, f2.8, 1/8000th
Every time I shoot a water sport I am reminded of how much I like shooting water-sports.
…and every time I use a nikon it grows on me a little. Especially when I can use one with a 300mm 2.8.
Last week I shot Mens Volleyball at the Bren. I knew that since I only was lighting half of the court, I could backlight the players during one of the games. The first game I shot from a balcony and got some standard shots, all on my strobes with a 300mm.
Nikon D300, 300mm, 320iso, f6.3, 1/250th
Nikon D300, 300mm, 320iso, f6.3, 1/250th
Nikon D300, 300mm, 320iso, f6.3, 1/250th
Nikon D300, 300mm, 320iso, f6.3, 1/250th
Nikon D300, 300mm, 320iso, f6.3, 1/250th
Right after the first game ended I quickly made my way up into the catwalks, adjusted the positioning of my strobes and headed over to the opposite side of the court. I choose my position and sat up there for the whole next game. Backlighting the players was interesting. It was also very hard with the 300mm. It was difficult to get the ball and the players in the same frame without it looking like a big blob of shadows. I should have taken my 70-200mm and definitely will the next time I try it.
Nikon D300, 300mm, 100iso, f10, 1/250th
I also experimented with shooting the players while backlit on different parts of the floor. Its a new angle that I haven’t seen before and I’m pretty happy with the shots I got.
Nikon D300, 300mm, 100iso, f10, 1/250th
Nikon D300, 300mm, 100iso, f10, 1/250th
Nikon D300, 300mm, 100iso, f6.3, 1/250th
Shooting the same things the same way gets boring. You have to keep things interesting.
